Berlinale Blog – Streetscapes, Dialogues

| Wednesday, der 22. February 2017

By Andrew Horn Artistic block is a terrible thing. I’ve experienced it and I know others who have, though maybe a lot of people don’t like to admit to it. I know I don’t. Heinz Emigholz in his film “Streetscapes [Dialogue]” (Germany 2015-2017) not only admits it but offers a look at the process of 

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Berlinale Blog – 1984: Future Imperfect, Present Tense?

| Monday, der 20. February 2017

By Andrew Horn When I first looked at the program for this year’s Retro, entitled “Future Imperfect”, it looked to me like it had a real dystopian bent. Movies about alien invasion, nuclear war, mind control, and totalitarianism. Programming of course gets decided way in advance, but today the list of themes sound eerily like 

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Berlinale Blog – More Songs About Buildings (But No Food)

| Friday, der 17. February 2017

By Andrew Horn For some years now, filmmaker Heinz Emigholz has been making a series of films on various architects by visiting and documenting their works, whether houses, commercial buildings or public spaces. He presents the buildings in chronological order and shoots them from multiple interior and exterior views. The sequences are silent, except for 

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Berlinale Blog – Buddhist Noir: Honeygiver Among the Dogs

| Thursday, der 16. February 2017

By Andrew Horn What caught my attention about Dechen Roder’s detective film, “Honeygiver Among The Dogs” (Bhutan 2017) was that it was described as “Buddhist noir”. But is this some real thing, or just some pressbook buzzword? Thinking about it, the phrase made me think of some kind of trippy concept out of early Firesign 

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