Berlinale Blog 2018 #7: GENERATION WEALTH – Panorama

     |    Friday February 23rd, 2018

Lauren Greenfield pays attention to the super-rich and those who would like to be in GENERATION WEALTH. Andrew Horn gives his impression of the documentary in the realeyz Berlinale Blog #7: A favorite quote of mine comes from the Humphrey Bogart/Ava Gardner movie, “The Barefoot Contessa” where a dashing man of old world wealth explains, 

Read more

Berlinale Blog 2018 #6: PROFILE – Panorama

     |    Thursday February 22nd, 2018

PROFILE – Timur Bekmambetov’s thriller is based on the book “In the Skin of a Jihadist” by Anna Erelle. Andrew Horn, filmmaker and critic, took a look at the film for us at the Berlinale Panorama: There are times when I think that one of the worst things that ever happened to me was getting 

Read more

Berlinale Blog 2018 #4: Genezis (Genesis) – Panorama

     |    Wednesday February 21st, 2018

Sin, catharsis and rebirth in today’s realeyz Berlinale Blog. Film critic and filmmaker Andrew Horn watched Árpád Bogdán’s Genezis at the Berlinale Panorama: The story of Árpád Bogdán’s film Genezis (Genesis) was inspired by a series of real life incidents of right wing violence against Roma communities in Hungary that took place in 2008 and 

Read more

Berlinale-Pressekonferenz 2015

     |    Tuesday January 27th, 2015

Nun ist es offiziell: das endgültige Programm der 65. Berlinale und die Zusammensetzung der Berlinale-Jury. Berlinale-Direktor Dieter Kosslick lud heute Vormittag – zusammen mit den anderen Sektionsleitern – wieder zum alljährlichen Stelldichein für die berichterstattende Zunft ein, sprich zur Berlinale-Pressekonferenz. Neben dem Jurypräsidenten Darren Aronofsky werden folgende Filmschaffende ebenfalls über die Vergabe der Bären bestimmen: 

Read more

Marina Abramović: The Artist is Present

     |    Friday February 14th, 2014

For almost forty years, Marina Abramović has used her body as a medium of expression, testing her own physical and physiological limits, flowing between fiction and reality. She is known for taking the idea of artistic performance to the edge; using nudity and self-flagellation as some of her strategies on scene. After a whole life 

Read more