May25
Die Filme von Gustavo Letelier (La Estación Ausente, La Virtud de la Familia) und Peter McPhee (Refugio del silencio, El ropero del pueblo, El último texto) stehen im Mittelpunkt einer neuen Reihe, mit der sich realeyz dem neuen chilenischen Kino nähert. Exklusiv für realeyz hat Gustavo Letelier im März 2017 mit Peter McPhee ein Interview
Apr30
„Wouldn’t want to be mistaken for a cheap porno, now would we?“ I like music documentaries and I’ve made a few myself, but I’d never heard of the Sleaford Mods, the subject of Christine Franz’s documentary, “Bunch of Kunst”. So I took a look at the trailer which showed a guy warming his socks on
Apr27
„After all, who are we to question the laws of the Afterlife?“ Stories about souls in Limbo are nothing new. There’s the 30s movie “Outward Bound” with Leslie Howard (based on a ‘20s play of the same name); a John Garfied movie from the 40s, “Between Two Worlds”; a well known Off-Broadway play by Bruce
Apr25
Maybe sometimes it’s really more about the question than the answer. In the musical Fiddler On the Roof, Tevya the milkman, after many years of marriage, suddenly asks his wife if she loves him. Taken aback she replies: “Do I love you? For twenty-five years, I’ve washed your clothes, Cooked your meals, cleaned your house,
Apr24
„The personal stories bring it all home.“ When my son was little, he got it into his head that I was a communist and took great delight in going around saying so. Of course times had changed since I was a kid. Back then, I also took some great delight in bringing a few of